Exhibit IConfidential
We finance professionally packaged productions.
Every opportunity has attached A-list talent, a completed screenplay, distribution strategy and a defined path to principal photography.
Page 02Fade In.
Skip the Hollywood Line.
Invest where films actually get financed—without betting solely on the box office.
Mick Baltic gives qualified investors access to professionally packaged film productions already moving toward principal photography. Rather than speculating on movie ideas, we focus on the business of making movies.
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ACT IIINT. THE OBJECTION — CONTINUOUS
Most investors avoid Hollywood because…
01
Film investing is highly risky.
02
Capital gets tied up for years.
03
Nobody knows whether the movie will make money.
We agree.
That's why we don't invest like Hollywood traditionally has.
ACT IIIINT. THE TWO BUSINESSES
Every Film Has Two Journeys.
01 — EARLY-STAGE DEVELOPMENT
From idea to financing.
Every film begins with a screenplay. Attaching producers, cast, financing, and distribution can take years—and many projects never move beyond development.
02 — PRODUCTION FINANCING
From financing to filming.
SceneFi focuses on professionally packaged productions that have already secured substantial financing commitments and are raising the final capital needed to begin principal photography.
Executive noteWe help move professionally packaged productions from financing into principal photography.
ACT IVINT. THE PIPELINE
Our investors enter where capital meets a packaged production.
01 — Development
02 — Packaging
03 — Casting
04 — FinancingWe enter
05 — Production
06 — Delivery
ACT VINT. WHY THIS IS DIFFERENT
Three pages from the memorandum.
Exhibit IIConfidential
We don’t finance films from scratch. We typically enter when 70–90% of the financing is already committed and the production simply needs the final piece to move forward.
We often participate alongside institutional capital, tax credits, pre-sales, and studio equity—reducing structural exposure.
Page 03Exhibit IIIConfidential
We evaluate financing structures—not just the screenplay.
Our diligence focuses on collateral, waterfall economics, guarantees and downside protection.
Page 04ACT VIINT. ACCESS — THE PIPELINE
Access one opportunity.
Become part of an ongoing pipeline.
Qualified investors receive access to a continuing pipeline of professionally packaged productions as opportunities become available.
Some investors participate in a single project. Others build exposure across multiple productions over time.
The choice is yours.
0+
Years in film & international business
0%
Professionally packaged opportunities
0
Curated pipeline, ongoing
ACT VIIIINT. THE PRODUCER
Producer — Mick Baltic · Portrait, 2026
“Some investments build wealth. Others become stories you'll tell for the rest of your life. The rarest opportunities can do both.”
— Mick Baltic
Meet
Producer Mick Baltic.
After more than twenty years building relationships across Hollywood's film and television industry, Mick Baltic leverages his industry access to connect qualified investors with professionally packaged film financing opportunities that are typically unavailable outside established industry circles.
His work bridges independent producers, studios, tax-credit programs and private capital — creating discreet, structured entry points into productions before they reach the public conversation.
0+
Years
Global
Reach
Private
Access
ACT IXINT. PRODUCTION ARCHIVE — CONTINUOUS
From Production Archives
INT. MTV STUDIO — EUROPE — 2006
The first lesson wasn't about cameras.
It was about understanding audiences.
INT. RIGA, LATVIA — 2006
MTV VJ Search among 2206 contestants — the night the microphone found me.
INT. MTV EMA — MUNICH, 2007
Holding the globe. Watching the rooms behind the rooms.
EXT. VMA RED CARPET — NYC, 2006
Interviewing Wyclef. Learning what the camera doesn't see.
Archive continues.
INT. PRODUCING THE FIRST FEATURE — 2008–2009
Producing the First Feature
EXT. LOS ANGELES — DAY — 2008
On set with DeRay Davis — I Want Your Girl!
INT. RIGA — EVENING — 2009
Signing the poster at the red carpet premiere. The moment filmmaking became more than an ambition.
INT. RIGA — EVENING — 2009
World premiere of the first Latvian-produced film in Hollywood. Written, produced, and directed by Mick. 700+ in attendance.
Archive continues.
INT. EXPANDING THE REEL — 2005–2022
From films and motorcycle-travel series to streaming entertainment and international productions, each project expanded the experience and relationships.
EXT. PALMDALE, CA — DAY — 2010
Producing & Directing a music video.
EXT. RIGA, LATVIA — NIGHT — 2005
Producing & Directing a bank commercial.
EXT. RIGA, LATVIA — DAY — 2022
Producing, directing, and hosting a motorcycle travel series.
ACT XINT. THE PRODUCING NETWORK — PRESENT DAY
The Producing Network
Mick works alongside experienced producers and executive producers whose combined credits span numerous acclaimed Hollywood productions.
Relationships built over two decades.
ACT XIINT. CURRENT OPPORTUNITIES
Currently open to qualified investors.
In financingFeature Film — Opportunity 01
My Darling California
- CastChris Evans · Jessica Chastain · Chris Pine · Don Cheadle
- LocationCalifornia
- ProductionBegins September 2026
- StatusProfessionally packaged · currently in financing
Additional opportunities disclosed under NDA
FADE OUT.
Skip the Hollywood Line.
Request access to the current confidential opportunity and the ongoing pipeline.